In life, GustavMahler (1860-1911) , both for his personality artistic as forhis work was intense target polemics - andcontempt for much of the criticism. misunderstanding a esthetics andanti-Semitic prejudice also accompanyposthumously and were rare conductors who ,
in the decades
following his death, they engaged in
presentation of
his works . During the 60s , however, a
totally
unexpected turn led the work of Mahler to top
an era of
unprecedented success that endures to
today. known
performers and researchers found the
composer, sound
recordings while they published one
work hitherto
unknown to the general public .
There are a number of factors involved in the transformation of
Mahler in central figure in the history of twentieth century music. THE
worldview of a younger generation certainly had
central influence here: the inner tear Mahler , his
interest in the fundamental problems of human existence,
his pacifism , his commitment against social oppression and its
position in favor of respect for the integrity of nature
- It all became suddenly very current for the generation
who was born after the war .
Unconditional love of Mahler by nature always
He was present in his work. The composer dedicated
entirely to musical creation the summer months , recolhendose
in small huts on the peace of the Austrian Alps . In
Steinbach, Mahler undertook long walks that you
They provided inspiration for symphonies .
Compare the Spartan simplicity of these houses
with the enormous complexity of the works created there says a lot
on the composer's genius - and especially on the real
origin of their musicality. Totally abandoned and
forgotten in Austria after the war , these houses Mahler
today turned into memorials, thanks to the action of the Company
International Gustav Mahler . The dream world of the Alps
the early twentieth century will surely come back to the memory of those who ,
taking a picture of these dispossessed musical retreats
Mahler , again hear his great music.
(Adapted : Klaus Billand Gustav Mahler : . Creating an icon.
Magazine 18 Year IV , n . 15 , March / April / May 2006, p . 52-53 .
Available at: < http .// www.cebrap.org.br/v1/upload/biblioteca_
virtual / GIANNOTTI_Tolerancia % 20maxima.pdf >
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